![]() ![]() In 2002, he took part in the organization of an important exhibit, Dove il Si Suona, held at the Galleria degli Uffizi, in Florence, as the curator of the section entitled “The Fortune of Italian Art Literature,” which featured paintings, engravings, and books from the Renaissance through the eighteenth-century. ![]() Directly related to this scholarly interest is his activity as a member of the editorial board of the Journal of Art Historiography, founded by the University of Glasgow in collaboration with the Gombrich Archives. He is also strongly interested in problems related to the Historiography of Art and has published many articles on Julius von Schlosser, Benedetto Croce and Lionello Venturi. Besides his wide-ranging expertise in European visual culture from the fifteenth- to the eighteenth-century, Professor De Mambro Santos has conducted several researches in complementary fields (including art theory, film studies, textual studies, and semiotics). His major publications are dedicated to the analysis of European Renaissance treatises on art, with particular attention to the writings of Leonardo da Vinci, Giorgio Vasari and Karel van Mander. More recently, as a Visiting Professor, he taught at the University of Washington and Whitman College classes on Northern Renaissance, Brazilian visual culture, and theories of art from Neoclassicism to Postmodernism. In the Department of Oriental Studies at the University of Rome, he has also taught courses on the activity of European painters in India, China and Japan from the sixteenth- to the eighteenth-century. He has taught for twelve years in the Department of Art History at the University of Rome courses on Renaissance Art Literature and Visual Culture as well as classes on Methodologies of Art Criticism. Professor De Mambro Santos is an expert in Italian and European Renaissance and Mannerism.
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